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Focusrite Scarlett Octopre Dynamic : 8 Channel Preamp

R11,999.00 R8,399.00

EIGHT-CHANNEL MIC PRE WITH A-D/D-A CONVERSION AND ANALOGUE COMPRESSION

 Eight natural-sounding Scarlett mic preamps

Flexible analogue compression on every channel

 Eight balanced line inputs

Focusrite precision A-D/-DA conversion up to sample rates of 192kHz

EIGHT SCARLETT MIC PRES

Building on the features of the Scarlett OctoPre, Scarlett OctoPre Dynamic brings you the ultimate Scarlett expansion with eight Scarlett mic preamps and analogue compression on every input channel providing a musical, soft-knee style of compression for more subtle control of your dynamics. The MORE button then allows you to double the ratio for more aggressive compression effects.

DUAL HIGH-HEADROOM INSTRUMENT INPUTS

Two high-headroom instrument inputs will handle high-output guitar pickups. Don’t forget to engage a bit of compression, great for controlling the dynamics of electric basses and guitars.

EXPAND THE NUMBER OF OUTPUTS IN YOUR STUDIO

Scarlett OctoPre Dynamic’s eight analogue outputs can be sourced either directly from the mic preamps for live use, or via the ADAT inputs to give you eight more analogue outputs channels from your DAW.

 

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Description

WHAT’S IN THE BOX

MAKE THE BEST RECORDINGS

Scarlett OctoPre Dynamic

Power cable

Focusrite – Red Plug-in Suite: accurately models our classic Red 2 equaliser and Red 3 compressor

Softube – Time and Tone Bundle: four of Softube’s world-class reverb, delay, mastering and distortion plug-ins

Focusrite – Plug-in Collective: exclusive offers, tutorial content and more, from some of the most innovative and prestigious plug-in companies

PLUG-IN COLLECTIVE

One plug-in offer will be featured in your Focusrite account every couple of months, keeping you up to date with the tidal wave of releases. Nobody else works with software manufacturers like us, enabling you to download free plug-ins and benefit from generous discounts.

SPECIFICATIONS IN DETAIL

We always quote ‘real world’ performance figures (measured to the AES17 standard). Some companies choose to quote chipset performance, which is misleading, and here’s why.

SUPPORTED SAMPLE RATES

44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, 192 kHz

MICROPHONE INPUTS

Frequency Response
20Hz – 20kHz +0.5/-1.5dB
Dynamic Range
109 dB (A-Weighted)
THD+N
<0.001%
Noise EIN
-127 dBu
Maximum input level (without pad)
+8 dBu
Maximum input level (with pad)
+16 dBu
Gain Range
50 dB
Input Impedance
3 kΩ

LINE INPUTS

Frequency Response
20Hz – 20kHz +0.5/-1.5dB
Dynamic Range
109 dB (A-Weighted)
THD+N
<0.002%
Maximum input level
+22 dBu
Gain Range
50 dB
Input Impedance
49 kΩ

INSTRUMENT INPUTS

Frequency Response
20Hz – 20kHz +0.5/-1.5dB
Dynamic Range
108 dB (A-Weighted)
THD+N
<0.01%
Maximum input level
+13 dBu
Gain Range
50 dB3
Input Impedance
1 MΩ

LINE OUTPUTS

Maximum Output Level (0 dBFS)
+16dBu @ 0dBFS, or >21dBu where ADAT output is not used
THD+N
<0.001%
Ouput Impedance
136 Ω (Balanced)